Ethics in non-profit photography

Posted in Journalism Practice, Photography, travel with tags , , , on July 15, 2009 by mcgillmedia

A couple questions have come up recently about ethics issues when photographing overseas for non-profits. Does the photographer have to get the subject’s permission? Or even their name? Do the same rules apply as in photojournalism?

The rulings aren’t black and white. I’m not a lawyer, but I’ve worked as a journalist and for non-profits overseas for several years. Here’s my preliminary take on it.

Check with local law about the rights of photo subjects, but there is probably none. So it’s unlikely you’ll get sued or break a law by taking people’s photos and publishing them without permission. But the idea that “I don’t need permission if I’m a non-profit” doesn’t hold water. Why would a non-profit give their photo subjects less respect than other media?

In journalism, we don’t have to get our subjects’ permission to use their photo. That’s because we are publishing their photo, so they fall under the category of pubic interest. However, journalists are required to run accurate IDs and caption information. If we misrepresent our subjects or alter them, we suffer consequences. When we approach a subject to get their ID, we announce ourselves as journalists and where the photos will run. When subjects give us their name, it is tacit approval to running their image. This also gives journalists a chance to learn more about the subject, and the subject a chance to voice objections.

This process would be a good minimal protocol for non-profits to adopt. They also need to think hard about “informed consent.” If  someone’s photo is going to be posted around the world on Web sites and brochures, especially to promote a certain cause or organization, shouldn’t the subject know about it and have an option as to whether they will participate?

What consideration would we give an American whose picture we’re taking? It’s important to give non-Westerners just as much dignity and care. Language barriers are no excuse.

Non-profits would do well to come up with a policy about the kinds of photos they accept. Will they run only those photos (or video) TAKEN by their people, or taken with names and model releases included, or just any random photos? The latter is the  most common and the most suspect. Without good caption information, how do the editors even know where the photo is from, what’s going on, and who it is? The core issue is respect for the subjects. Are you accurately representing them and/or the cause you are promoting?

Along the same lines, organizations should think about how they USE photos. I know organizations that have photos of sad nameless African children.  They use them as generic stock photos, almost as icons, not as real people. So those images might end up on a Web site about AIDS, implying that the kids in the photos have AIDS. In my opinion, that’s bad ethics, and very unfair to the photo subject.

The safest, highest road is to get model releases–the subject’s permission in writing. If the photographer or anyone in the process thinks these will ever be published in a book or some other format, then they should get model releases. When I was working on a long-term project in refugee camps, I went as far as to have model releases translated into Somali, and hired a translator for a day to explain them to the photo subjects. In that particular case I had invested a lot in a vulnerable topic, and I didn’t want misunderstandings later on.

It takes more work to be respectful and honest to our subjects and our viewers, but it’s the right thing to do.

Lensbaby

Posted in Uncategorized on May 25, 2009 by mcgillmedia

I’ve been traveling a lot throughout the Mediterranean the last couple years on random assignments, and I carry an extra camera with a Lensbaby to take pictures for myself. They’re just fun photos that speak to me, but I’m ready to unveil some of them to the public. The Lensbaby is a simple lens with manual focus, and it forces me to   focus on one subject at a time. No layering or cramming things in the corners. It’s a good exercise for me.

These photos are about sacred places–locations that are important to at least one of the world’s religions. So far I’m mostly covering early Christianity, but this project has plenty of room to grow.

Let me know what you think.

http://www.flickr.com/photos/pikchergirl/

Laodicea, Turkey, site of an ancient Christian church

Laodicea, Turkey, site of an ancient Christian church

Travel Log: Turkey

Posted in Journalism Practice, Photography, travel on May 20, 2009 by mcgillmedia

I’m on assignment in Turkey and Greece. For the first leg, I’m traveling with students and faculty of Palm Beach Atlantic University, where I used to teach. See their blog for the the trip at http://pbahonors09.wordpress.com.

For me, it gives me a chance to revisit places that have changed my understanding of the Order of the World, with friends who are experts on the subject. The past and present of this part of the globe fascinate me. I was here 2 years ago and helped write and shoot a cover story for Christianity Today magazine that ran in January 2008 (see the related stories and slideshow.)

Now I’m continuing a project on sacred places. Creatively, I’m entranced by the light, the symbols, the crowds, the ornate and austere. Cultures collide in a visual feast. First stop is Istanbul, one of my favorite cities. I was dubious when a friend invited me on a sightseeing tour–of the new shopping mall. It turns out Canyon Mall has won internaltional design awards, and has become a showcase for Turkey’s argument that it belongs in the European Union. I couldn’t afford a thing in the shops, but the trip was well worth it.

A new mall for Istanbul's elite.

A new mall for Istanbul's elite.

Travel Photography: On Assignment

Posted in Uncategorized on April 18, 2009 by mcgillmedia

Travel Photography (part 3 of 4)

You’ve made your plans, packed your gear, and now you’re landing on location. Here are some guidelines to for going about the best part of the process: making the images.
When you land in a new location for the first time, even seasoned travelers can have information overload. Our reaction to all the new sights, sounds and people is exhilarating, but in the worst cases it can cause us to forget basic photo skills. I can’t tell you how many times I’ve looked through photos taken by my friends, even some professionals, who just got back from their first trip overseas. They are still riding an incredible emotional experience, and they want to show me all 3,478 photos they took. And 3,400 are pictures of themselves standing in front of monuments. Keep a clear head and come back with photos you’re proud to show off.

Look for a unique angle on local landmarks. Try to show the location. When my friends wanted to ride the London Eye, I suggested we get tickets for sunset. My battery died, so I took this photo with my pocket point-and-shoot that had slide film in it. In this case, the view of the next car was more interesting than our own.

Look for a unique angle on local landmarks. Try to show the location. When my friends wanted to ride the London Eye, I suggested we get tickets for sunset. My camera battery died, so I took this photo with my point-and-shoot that had slide film. In this case, the view of the next pod was more interesting than our own.

A. Determine in your mind what do you want to SAY with your photos. (more than just a mug shot)
B. Be sensitive, but not timid.
C. Respect others with your actions and images.
D. Take active, candid photos.
E.  Include wide locations and detailed close-ups.
F.  Option: If you’re traveling for a purpose like a volunteer project, it can be hard to juggle photography with other daily tasks. Choose one day to really concentrate on images.

Shooting Tips
Think in sequences:
1. Beginning, middle and end
2. Far, medium close
3. Series for Slide Show
For the love of God, please take photos of something besides dirty children mugging for your camera.

Take active photos of people doing real things. Your relatives can only stand so many photos of children, even cute ones. At a Celtic festival in France, this pipe band let me hang out with them. But the real moment came when I stepped back and let them interact with each other. This kid was adorable, but even cuter when the guys told him jokes to calm his nerves before the performance.

Take active photos of people doing real things. Your relatives can only stand so many photos of children, even cute ones. At a Celtic festival in France, this pipe band let me hang out with them. But the real moment came when I stepped back and let them interact with each other. This kid was adorable, but even cuter when his dad told him jokes to calm his nerves before the performance.

Exercise:
Practice taking photos of people who don’t speak English.
Practice taking a group photo.
Practice taking candid photos at the subject’s eye level.

To make group photos dynamic, find an interesting background. Put people on different levels instead of lining them up. In Assisi, Italy, my group was exploring a medieval castle. When they all popped up on a distant turret, I put on a long lens and made an international cell phone call to get them to look my way.

To make group photos dynamic, find an interesting background. Put people on different levels instead of lining them up. In Assisi, Italy, this group was exploring a medieval castle. When they all popped up on a distant turret, I used a long lens and made an international cell phone call to get them to look my way.

Artistic music video is a fun experiment

Posted in Photography, multimedia on March 26, 2009 by mcgillmedia

I had a lot of fun this week on a video project that was completely new to me. My colleague Keith Kenney and I collaborated with Sonia Jacobsen from the USC School of Music. She directs the World Symphonic Jazz Orchestra here, and she asked us to create a slide show to go with one of their pieces.

I love their music, which comes from all over the world. Keith and his wife Susanna Melo contributed photos they had taken in Japan and Morocco. I filmed some local video first of coy fish, and then I played with the concept of fish and water.

I edited the video this week. The first two days were fun, and a good refresher course in Final Cut Pro. The last three days were a refresher course in how LONG it takes to produce video packages. But I was excited about the results I was getting.

The piece was performed last night at USC School of Music. Sonus Dulcis, written by Adrian Pertout, has many hints of Japan and Latin America. The collaboration went well, so more performances are to come.

Mourning

Posted in Journalism Industry with tags , , , , on February 27, 2009 by mcgillmedia

This is a sad, sad week for photojournalism.

The Rocky Mountain News is closing its doors. Among the many tragedies is the fact that 19 photojournalists lose their jobs tomorrow. Members of the photo staff there have won three Pulitzer Prizes since 2000. But the saddest part is that a great newspaper is dying.

The Hartford Courant, another one of the country’s best photo papers, laid off three photographers. Their newsroom staff is now 135 people, which is half the number of newsroom employees it had in January 2008. The Courant is owned by The Tribune Co. in Chicago, which is operating under bankruptcy protection.

And the San Antonio Express-News laid off 75 staffers, including six photo staffers. Out of a job is Director of Photography Marc Kawanishi, who was just hired in September 2008.

The Providence Journal also made cuts this week. More newspapers are expected to make announcements soon.

As secretary of the NPPA, I’d like to say we’ll help retrain our members for the next phase of their careers. As an educator, I’d like to say we’ll prepare our students for the new media landscape. I’d like to say that if we all pull together, we’ll make it through.

Today I just don’t have enough courage to say any of those things. All I can do is renew my subscription to my local paper, The State (which is expected to announce layoffs any day.)

My heart goes out to all my friends and colleagues.

Southern Short Course

Posted in Photography on February 12, 2009 by mcgillmedia

Congratulations to the talented photographers who entered a pile of contests that were judged last week at the Southern Short Course in News Photography. It was the convention’s 60th Anniversary, so they held it  at the Hilton in downtown Charlotte and combined it with the North Carolina and South Carolina annual conventions.

It was an honor for me to help judge the South Carolina Photographer of the Year contest. Props go out to C. Aluka Berry, new (and incumbant) SC Photog of the Year, from The State newspaper. See all the results at http://www.scnpa.org/ . Entries were few but mighty in this small state. The good stuff rose to the top, so that it was difficult to make final decisions. Berry’s story “Second Chances,” about a prison rehab program, struck all the judges with quiet, beautiful images masterfully woven together into a strong narrative.

C. Aluka Berry/ The State

C. Aluka Berry/ The State

North Carolina Photographer of the Year is repeat winner Andrew Craft from The Fayetteville Observer. See his work and others at http://www.ncppaonline.org/.

Southern Photographer of the Year contest was open to anyone who wanted to pay the entry fee. The top three entries were hotly contested, but the top honor finally went to Kevin German, of Luceo Images, who photographs throughout Asia. We were moved by his strong sense of vision, and in particular, his story on Vietnam’s cemetery for aborted babies. It was truly an original treatment of an original topic. Other results are available at http://www.southernshortcourse.com.

Up Close at the Inauguration

Posted in Photography with tags on January 23, 2009 by mcgillmedia

Chuck Kennedy got closer to the swearing-in ceremony than any photographer in history. He used a remote camera to get up-close and personal during the pivotal moment. See NPPA’s report.

http://nppa.org/news_and_events/news/2009/01/inauguration.html

I’m impressed that a remote camera could capture such a clean frame and a wonderful moment. The family fills the super-wide angle image well. And there are nice touches like Sasha on the riser, and happy expressions. Decisive moments are hard enough, not to mention when shot from a remote camera. Way to go, Chuck.

Travel Photography: Equipment

Posted in Photography, travel with tags , , on October 29, 2008 by mcgillmedia

Travel Photography (part 2 of 4)

Think carefully about the equipment you take. Here’s a checklist to start out.
• Camera/ Camcorder
• Film/memory card/tape
• Batteries
• Charger
• Backup system (computer, hard drive, or other device)
• Instruction manual
• Tripod
• Lighting gear

Equipment Tips
A. Practice with all your equipment BEFORE you go.
B. Consider size, expense, and quality. Remember YOU are responsible for carrying it and keeping it safe throughout the journey.
C.  If this is a real assignment, take the tools needed to do the job.
D. Memory cards—take enough for the whole trip, or use a back-up system so you can erase images and reuse cards.
E. Check your image file size settings on your camera. Remember that lots of small photos/files fit on your memory card, but they can only be used for the web. If you want to print images, you need to use a larger file size, and plan to use more memory.

Purpose                        Minimum File Size
Web or Computer         400 x 600 pixels
4 x 6 inch print            800 x 1200 pixels
11 x 14 inch print        2200 x 2800 pixels

As I’ve said in previous posts, planning will help considerably. What kinds of photos will you take on your trip? Be sure you know how to get those sorts of photos with your camera. You should know your camera well enough for the following tasks:
•  Change the file size.
•  Turn your flash off and on.
•  Take a photo of your friend in front of the Eiffel Tower at night.
•  Know the ideal settings in a church, mosque or museum.
•  Know the ideal settings for a portrait.

Travel Photography: Planning your trip

Posted in Photography, travel with tags , , , on October 23, 2008 by mcgillmedia

Travel Photography: Part 1 of 4

Last night I gave a presentation at USC’s newly-formed NPPA chapter. Hooray for our students! I showed some of my photos from overseas assignments, and I gave tips for their own travel photography. I’ve expanded on those ideas here.

Folks back home would much rather see candid photos of the people you met, doing regular tasks, than to see 100 mug shots of your friends.

English Classes in Kenya. © Denise McGill All rights reserved.

See the evidence in the photo above, taken at a refugee camp in Kenya. Folks back home would much rather see candid photos of the people you meet, doing regular tasks, than see hundreds of  mug shots of your friends.

Think about the purpose of your trip.

The answers to the following questions will help determine what gear to carry, as well as other factors about your experience. Explain in words where you’re going, and your role on the trip. What kind of photos do you want to take? What will be the best photo opportunities there?

• Are you the official photographer? Is this a professional assignment?
• Are you going with a team or alone?
• Do you plan to publish the photos online or in print?
• Do you have responsibilities besides photography on the trip?
• What are the risks and dangers of the place you are visiting?
• Are there stores in-country where you can buy the things you left behind?

Planning Tips
Research the location to prepare for interesting or challenging photo ops. If there’s a once-in-a-lifetime night festival going on while you’re there, then it’s probably worth the effort to lug your strobes along on the trip.

Plan in advance what you want to shoot (This could be silly portraits of your friends, step-by-step photos of your volunteer activities, or a series of interesting doorways.) Be ready to respond to what happens around you, but also have some sort of strategy. On a trip to China, a friend and I researched everything we could about tea. We visited (and photographed) the tea fields, the roasting process, and plenty of people drinking the stuff. It was a meaningful adventure that gave us more insight into the culture, and got us off the typical tourist routes.
Plan to make images that are meaningful to YOU. Even if you’re on assignment to take photos of the new clean water system in a village, don’t get stuck in that rut. I have a ritual where I take photos of my bare feet everywhere I go. So I have pictures of my toes hanging over the edge of the Grand Canyon, in a hammock in Hawaii, on a balcony in Italy. They’ll never go in my portfolio, but they have a special place on my refrigerator. (See my post “Skimming the Surface” for a picture of my feet in the Tetons.)

Practice good photography habits before you go. Know how light, composition, and candid moments improve your photos. Traveling won’t instantly make you a better photographer. In fact, you may be so overwhelmed by the visuals that you forget the basics. With some preparation, you can give yourself every chance to make great photos while you’re there.